Automotive and nature, shot from altitude. The top-down, the slow reveal, the frame most people never get to see.
Some perspectives can't be reached on foot. I fly for the frame most people never see — the top-down, the slow reveal, the golden hour from four hundred feet.
Lake Como to Yosemite, Florence to the Icelandic highlands.
Hero shots, top-downs and collection coverage. From above, a warehouse of air-cooled Porsches turns into a pattern, and a single car reads like a graphic. I plan the light, the angle and the line so the car is the whole story.
Rome at dawn, before the streets wake up and the light finds the Colosseum. From altitude a city turns into geometry: rooftops, domes and the lines between them. The best hour is always the quiet one.
A village tucked under a peak, ridgelines wrapped in weather, valleys opening up below. Altitude puts you level with the mountains instead of underneath them, and the scale finally makes sense.
Remote rivers and coastlines, open country, and the wildlife that lives there. Patience, distance and the right light. The work that pushes furthest from home, and the frames I wait longest for.
Aerial photography and videography for automotive, landscape and travel. From a single hero image to a full cinematic edit, the deliverable is built around what you need the footage to do.
Hero stills, top-downs, orbit and reveal shots for owners, collectors and dealers. Location scouting included.
Mountains, coastlines and remote terrain. Editorial-grade stills for prints, campaigns and destination work.
Smooth 4K aerial footage alongside the stills. Slow reveals, tracking shots and establishing sequences, graded and delivered ready to cut.
Tell me about your car, your location, or your idea, and let's capture it from a perspective most people never see. Follow along on Instagram for the latest work.
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